My Moviegoing Rules

Attribution: We watch only the most popular movies… by ecastro, CC-BY-2.0

I love watching movies, whether on my laptop, television, or the theatre. I don’t visit the theatre often, because of a small alternative called the Internet, but when I do go to the theatre, I follow a set of rules that give me the best moviegoing experience every single time.

I went to Iron Man 3 with a friend a couple of weeks ago and he pointed out that these rules are particularly irritating for anyone who decides to go for a movie with me, which is probably why I watch most movies alone or with people who don’t mind my rules (a select few). Here they are:

  1. It starts with selecting which theatre I want to go to in the city. Chennai has several theatres, but the only one that is worth going to is Sathyam Cinemas, in the Royapettah and Thiruvanmiyur areas of Chennai. I could go into a whole explanation of why they’re the best theatre chain in the city, but that’s bound to bore you. It works for me because of its access, ambience and atmosphere. Oh, and their popcorn is pretty good too. 
  2. I always select my theatre seats in either the second or third rows of any screen and always in the middle or next to the centre aisle. It doesn’t matter whether the movie is in 3D or not, I find that being as up close as possible to the screen is important for the immersive experience that the big screen offers. I find it quite odd that most people jump for the last row in theatres, why would anyone want to be away from the movie? In fact, when I went to Life of Pi with a couple of my friends, I traded a ticket my friend had bought (in the last row, damn him) for a ticket five rows ahead. Yes, I’m that anal about it.
  3. I leave from my place an hour before the movie’s show time because I generally get there by the bus. Because of this inbuilt timing mechanism, if I go with a friend who has a car, or if I go there myself in a car, then I’m always early by at least half an hour. It’s better to go early than to be late; I hate missing any part of a movie, especially its opening scenes.
  4. Putting my cellphone on Silent Mode before the movie starts. Obviously.
  5. Not stepping out of the theatre during the interval if I’m watching the movie for the first time. I always end up coming back too late and the movie starts and like I said, I hate missing any part of it.
  6. I hate people who talk on their phones or amongst themselves or even look at their phones during a movie. I’m the kind of guy who shushes people and tells people to put their phones away.
  7. I only get popcorn for a movie. And Coke if someone else wants it.
  8. I hate watching English movies with subtitles. Not a rule, but a common gripe I guess.

So those are my moviegoing rules, at least habits that I’ve cultivated over the years of watching movies in the theatre. What rules or habits do you have for going to the movies?

Land Of The (Boring) Desi Undead

Attribution: Simple zombie arm by ~801crow, CC-BY-3.0

The carefree, drug-addled, wisecracking trio of Go Goa Gone are the kind of characters that exist in a generation consumed by pop culture: their actions are drawn from what they’ve seen in movies (especially Hollywood) and in a subgenre as done to death (you never know with the undead) as the zombie horror flick, Raj Nidimoru and Krishna DK know that these are the few character types that can walk the line between familiarity and novelty. And yet, though Hardik (Kunal Khemmu), Luv (Vir Das) and Bunny (Anand Tiwari) say variations of “I saw X in movie Y”, they don’t know how to deal with the shambling creatures at all.

While the blood spilling classic Shaun Of The Dead (paid a tribute that’s borderline plagiarism) clearly gives rules on how to deal with zombies in less than two minutes and the recent cult flick Zombieland has its survival tips spread throughout the film, Go Goa Gone’s heroes spend a lot of time asking “What do we know, and what have we learned?” You’d think they’re the kind of guys who illegally download episodes of The Walking Dead and watch them when they get home from their bloody khooni jobs.

The one guy who knows exactly what’s going on, and does something about it, is Boris (pronounced Ba-REES), a pseudo-Russian mafia don played by Saif Ali Khan, with a straight face of course (you can’t do fake Russian accents with a smile). He’s basically Tallahassee from Zombielandminus the eccentricities and plus a Russian accent. And yet, even after it’s revealed that he’s not really Russian, he stays in character and no one questions him about it. Khan, also producing thus film, milks the opportunity to blast desi brains with his endless arsenal of weaponry in slow motion and elevates Go Goa Gone beyond the average zombie comedy.

The plot is pretty basic to the point that it can be reduced like so: Three guys in their ’20s. Goa trip. Zombies attack. Need to survive. The zombie flick doesn’t require elaborate plotting as long as its characters are compelling to watch (Night Of The Living Dead, the first zombie horror film, takes place mostly in an abandoned cabin). Here, apart from Boris, only Kunal Khemmu really brings in the laughs though he plays a stock character we’ve seen before: the aimless yuppie who can bed any girl he wants and asks for nothing more (see: Barney Stinson). The other three leads have their moments, but there are more misses than hits. 

The most frustrating thing about this film is how close is gets to being great, but squanders its ideas like a poor cricket fielder drops catches repeatedly. Much of this has to do with atmosphere; the zombies in Go Goa Gone could be used as toys in McDonald’s Happy Meals, not thrown away with fright, disgust and revulsion. These are slow, ambling zombies, not the fast, athletic ones from 28 Days Later, and I’ve always imagined you could outrun them if you wanted to, unless you were completely surrounded by them. This apparent lack of conflict lowers the stakes and leaves the film loose and flat and takes away from the zombie fight scenes that are sprinkled through the narrative.

The directors have trouble in deciding what their film actually is: a zombie film with comedic and romantic elements, or a comedy with zombie elements. This spills over into the treatment of the material, but the jokes that are placed at the right moments bring large laughs, especially the final “dance around the trees”. Raj & DK also strangle their story with anti-drugs PSAs throughout the film so as to make sure that they’re not responsible for influencing their target audiences to go to Goa to party by making the connection that drugs turn people into zombies, a strategy akin to telling a child about the Boogeyman to get him to eat his vegetables. But even as the film ends with an anti-drugs message, there’s a stoner dream song that runs through the end credits, thus nullifying all the preachy statements that were made in the movie.

So should you watch Go Goa Gone? I would say it’s a lightweight film that engages all the way through, but approach it with lowered expectations so that you might find yourself a bit surprised. That’s more than you could want from India’s first zomcom, right?

The Nail Biter

A prose poem

It starts with an anatomical marvel: the perfect combination of the smooth surface of hardened nail and the rough whorls of softened skin. At the base, there’s a crescent shaped curve of white. This is a thumb. Your thumb, in fact.

But your thumb cannot remain perfect forever. You see an infinitesimal outgrowth of excess skin peeking out from under the nail. You could get off your chair and go to your sister’s room and use her tweezers to pluck it out. You could do that, but you’re too lazy to do such an elaborate action when the solution is right in front of you. So you use your other thumbnail. And you dig and you pull and you dig and you pull, but skin wasn’t meant to be extricated at the slightest intervention. Skin was made to wrap around blood and hold your eyes and nose and mouth together. Skin was made to brave the needle through injections and tattoos and piercings. Skin was made to take on bruises and scars. Skin was made to make us human. It wasn’t made to be stretched and extracted at a moment’s notice.

When you can’t open plastic packets of chips, Oreos and shampoo (side bar: why do you buy shampoo in packets again?) with your fingers, you use your teeth. Because your teeth are the cavalry, the big guns that get the job done. So you bring your imperfect thumb to your mouth, angle it correctly and start chewing. You clamp and pull and clamp and pull and clamp and then yank that outgrowth out with fierce menace, because you can’t really concentrate on anything else until you get rid of that minor annoyance. And get rid of it you do, but then in the process a bit of nail gets removed. Your teeth aren’t precision shots, they’re machine gunners. There was always bound to be some collateral damage. No matter, you bring them back to get the job done fully this time because you can’t have three quarters of a nail can you? All or nothing, that’s what your subconscious knows deep down inside and so in goes your nail. Again, there’s clamping and pulling and twisting and turning, and slowly the calcium white extension is removed from its moorings in the main dock. But when you get to the other end of the nail, spasms of pain shoot through your nerves from uprooting the base of the nail itself. So you cut off the majority of your haul and leave the rest be, but you can’t really leave it alone, can you? It has to be finished, the entirety of the nail must be removed, no blemishes can remain.

Back goes the rest of the nail, and you don’t care how much it hurts. You were built for this kind of pain since you were small, you’ve been biting your nails all your life. Everyone you know has seen your fingers and commented on how ugly they are. You’ve masked the ugliest one, your right index finger, as the remains of a horrific encounter with a mangy mutt; the skin around that nail is now yellow instead of the usual whitish pinkish brown. Whenever you meet someone, you hide the messier fingers from sight in a casual manner, because you don’t want to be explaining that side of you as a first impression. The pain of shame is greater than any physical pain.

But you pull too hard and then arrive at the base of the thumb, at the root, at the source of the nail. This is an impasse that requires patience and persistence, you have to ease the entire nail out. Slowly but surely, progress is made, until one final pull finishes it.

Tell that to the blood spurting out of this exit point. Suddenly your nail is flecked by red, and you rub it off on your jeans. But rub as many times as you want, there’s more where that came from. You can see different pieces of skin sticking out of your thumb now, you have to respond to them by biting them off. You chew nail and skin and swallow, not particularly enjoying how it tastes, but not the kind of person who spits out parts of itself. But when your thumb comes in contact with the outside world, you are reminded of the sensitivity of the freshly bitten areas with their unpredictable stings, from spicy food, hot water and grasping objects tightly, among others.

Recently, to combat this habit, which arises in anxiety and nervous situations and ennui, you’ve started chewing gum continuously to keep your teeth preoccupied because the idea of sticking your fingers into your mouth as you move a sticky substance around irks you. This strategy has worked for the last couple of years, but its now starting to wear off because your mind has adapted to accommodating sticky foreign substances in your mouth alongside nails that beg for some restructuring. Maybe its destined to be, you and your nails going to cycles of growth and death (by teeth), and finally at some point accepting the hidden truth.

That this is who you really are, a nail biter.

The Wrong Door

The door to your house/flat/apartment/abode has come unstuck in time. The next time you walk through it, you find yourself in the same place, but a different time entirely. Where are you, and what happens next? (Weekly Writing Challenge)

They say our house is cursed because a boy died in it. He killed himself, probably because of some cliched teenage angst like being dumped by his girlfriend or getting low marks in an exam, or being chastised by his father for a mistake he made. The house had languished without inhabitants for several years and its realtor was willing to pay us to take the house off his hands.

During the first couple of months in the new house, I would search for any sign of the suicide, whether it was a stain on the walls or dried blood on the floors. I would hide in my closet at night to catch a glimpse of the ghost of the dead boy as it roamed the house, like in the horror movies I had seen. And then we renovated it, so there was no point to search anymore.

The minute I opened the door to my house, I knew that something had changed. I didn’t know if it was the smell or the bare, morbid atmosphere that the walls reverberated from somewhere deep inside the house. All the white curtains were drawn to block the afternoon sun from seeping through, darkening the rooms with spurts golden light here and there. I closed the door behind me softly, as if slamming the door would attract some lurking danger that lay upstairs waiting for my unsuspecting, oblivious self. The plastic grocery bag that I held in my right hand rustled as I moved. I clutched it tightly with my other hand. I waited for a couple of seconds, trying to listen for some signs of my mother and sister as I had left them.

Instead I heard the faint sounds of classical music, music that had not graced my ears in a long time ever since I had stopped playing the piano and gravitated towards the electronic beats of Dubstep and Skrillex. The kind of music that evoked gurgling rivers winding through ethereal forests and rocks made golden by the twilight. The kind of light that accompanies massages at expensive parlors, fit for upper class snobs. These mellifluous sounds flowed from upstairs, and I went in search of them.

With every step I took in this new domain, I saw something strange. Where there was the oil painting of Ganesha on the far side of the living room, there now was a collage of photographs of people I did not know. An extended family, much like my own: the growling patriarch in his late 40s with a thick mustache that could rival Nietzsche’s, the docile housewife in her dazzling sarees with an aura of sainthood emanating from every part of her body, the lanky young son with more pimples on his face than skin and the puny little daughter whose life presumably revolved around Tinkle comics and Barbie dolls and the different colored belts accorded to her by her karate school. Scattered here and there were photos of the elder members of this model family, the grandparents, regally garbed in clothes that forced reverence out of anyone who looked at them. These photographs had been taken with a vintage camera, or with Instagram. Had this family moved in while I had gone out?

The bookcase that stood in the hallway between the living room and the dining room was the same, but it seemed much more polished and sturdier than I remembered. Books and magazines were stacked from top to bottom, mostly Tamil with some English thrown in. None of the books that I flipped through were published beyond 1982. The first copy of National Geographic that lay at the top of the yellow magazine stack was dated 1980. Maybe this family cancelled their subscription way back then and carefully preserved all their back issues so that they could sell them as vintage copies fifty years from now. But that didn’t explain what they were doing in my house.

The tall metallic refrigerator was now a short white one. The 26 inch LCD TV on the ground floor was now a small box that flickered color moderately (I checked, with a remote the size of a brick). My mother’s carefully planned interior design – stained glass windows, silk curtains, colorful paintings and her own artwork –  was gone and in its place were drab walls disrupted by framed paintings of gods and goddesses. The floors, the fans, the walls, the doors, the stairs, the windows, everything had changed! Where was my house, where was my family? And that music would not stop. I dropped the plastic bag and headed upstairs to get to the bottom of this (at the top of the house).

I tip toed on the last flight of stairs like a ninja, clinging to the walls, blending with the plaster. This had to be a prank orchestrated by my family and my friends, just like the time they hired the Bugs Bunny guy to follow me wherever I went. My father thinks he has a good sense of humor, and my mother humors that sense. But fifteen minutes isn’t really a lot of time to redecorate a whole house (unless you’re in Extreme Home Makeover or one of those shows), and this seemed a tad too elaborate even for them.

The music was coming from my parents’ bedroom (or at least it was supposed to be my parents’ bedroom, I didn’t know anymore). Someone had turned up the volume since my quiet entrance and the orchestra reverberated through the whole upper floor. If there was a person up there, he was hard of hearing. I reached the top of the stairs, angling towards the left where the source of the music lay. This floor was even darker than the one below it and I could see outlines of closets, suitcases, boxes, and beds in different places.

“Hello?!”, asked I, ready to run in the opposite direction. There was no answer, but the music had muffled the frightened greeting. This was a horror movie situation, I imagined tense and suspenseful music over my perplexed expression of confusion, fear and anticipation. Generally, the words employed by characters in similar situations were:

  1. Is somebody there?

  2. I know there’s somebody there!

  3. I’m going to call the cops! (even though the character has no idea of who is in the house)

I used all these sentences, but received no responses. I remembered that these characters also had makeshift weapons like knives and guns to back them up. I ran back downstairs. I flung open the kitchen drawers where my mother usually keeps the knives. Instead I found forks and spoons. The next set of drawers revealed shining metal knives. I grabbed two and ascended the staircase again. I moved slowly to the slightly ajar door and nudged it open.

On a wooden table across the room, placed in front of a grilled window, sat a stereo with a tape recorder and in it was the tape that played the booming cavalcades of Beethoven. I scanned the bedroom: there were many movie posters on the walls – Star Wars, E.T. and Raiders Of The Lost Ark – and the bed was disheveled by its last occupant. There were stickers on the closet opposite the bed, of Spiderman, Superman and He-Man. I moved inside, expecting someone to pounce on me to end the prank.

And then I saw a figure, huddled against the wall in the bathroom, adjacent to the closet. The figure was shivering, but I didn’t feel cold. I pushed open the bathroom door slightly and saw the ugly adolescent in the photos downstairs. Drenched in sweat, he was curled in a compact position, knees to his chest, arms over his knees. In one hand he held a knife. I knew what this was: I had interrupted the boy from slitting his wrists and staining the immaculate white tiled bathroom floor. The maid would thank me for that. The boy and I stared at each other, each waiting for the other’s next move. I decided since I was the one who had ruined his poetic classical suicide, I had to say something.

“Hi there, sorry for ruining your poetic classical suicide, but this is my house.”

“What?!”, asked the boy, as if he couldn’t understand what I was saying anymore and could already see floating angels as they glided down to lift him up into the clouds.

I stepped on the bed, crossed the room and turned the music off. I came back to the bathroom

“Was that Beethoven?” I asked, wanting to sound authoritative on classical music.

“No, it’s Rachmaniov. Who are you?” Like I said, I played the piano a long time ago.

“Did my mom and dad put you up to this? You’re an actor, right? Doing plays that no one really sees…”

The boy sighed.

“Fucking Murphy’s Law,” he said, quite irritated with my intrusion. “Can’t even kill myself properly.”

“You know I recommend that you fill your bathtub with water and then throw in your toaster while it’s connected to a socket. Less messy and less waiting, if that’s what you want. Think about the mess your maid would have to clean up if you slit your wrists.”

The boy glared at me, put the knife down and opened the taps to run a final electrifying bath. I decided I would only get my answers the hard way. I sneaked behind him and grabbed him around his neck.

“Who are you really? What the hell is going on? This was my house half an hour ago.”

The boy squirmed under my grip, trying to pry my forearm away from his Adam’s apple. I pressed the tip of one of the knives I had into his back. That expunged his resistance.

“This house has always been in the family. For the last twenty years, I swear, since 1962! Who the hell are you?”

I dropped my knife and let go of him and lost the feeling in my legs. I supported myself by the bathroom wall. The water was still running, mixing with itself as it prepared to make a deathly potion for the boy.

“What year is it?” I asked, knowing fully well the answer to that question. Now all the shit in the house made sense, in a time travel sort of way. Especially the movie posters. Although I would have stuck the same era of posters on my walls if I could just find them in this culture dead city.

“It’s 1982. Do I need to call somebody to take you home?”

—-

The boy and I stood upon our balcony, sharing a cigarette. I thought by opening the balcony door, we would be back in 2013, but nothing happened. The street outside my house was much wider, and there were fewer houses and fewer stray dogs and fewer cars and motorcycles. The whole area was quieter. I saw my neighbor, Captain Singh, now in his late 30s, maintaining his garden, as he would for the next thirty years until he hired me to do it for him. I pointed at his crouching figure.

“Do you know that man? Captain Singh?”

The boy nodded. “Oh, I know Mr. Singh. He’s not a captain though, just a private in the army.” He handed over the cigarette. I took a drag and blew out the smoke in carefully composed rings, each successive one blending with its predecessors to form, in my mind, the Olympics logo.

“So what traumatic event brought you to this moment?”

The boy looked down, hunching his shoulders as if to communicate through his body that this was a sensitive topic for him. I didn’t care, there must have been some reason that I traveled through time. Maybe I had to talk this guy out of killing himself.

“It’s pretty simple. I’m a fatalist. My life has no purpose. What’s the point of living for sixty years, knowing that there’s always going to be an end, no matter what you do? You can’t postpone it, plan for it, get used to it. Get a job and do the same thing for forty years, fucking forget it! And don’t give me all that shit about living life, being in love, starting a family. At the end of the day, we are all old geezers filled with regrets, sorrow and nostalgia for the past. That’s reason enough to end it on my own terms.”

This guy actually had his own philosophical reasons to end it all. I was impressed. “So why don’t you kill yourself in twenty years? Love someone, pop your cherry, do a bucket list or something, and then fill another bathtub with some other toaster.”

“Did you even hear yourself? It’s become so mechanical, to love someone, tell them your deepest secrets, begrudgingly share each other’s company when you want to be alone. Take them out somewhere when they don’t feel like it.” He sighed. “No, it’s not worth it, just a pain in the ass.”

I really had no other cards in my deck. Each boy is entitled to their own opinion, and it was this boy’s contention that he should die instead of live a life that wasn’t particularly enriching. If God needed to gift someone with superpowers to renew their sense of purpose in life, now was the time.

“Well, you don’t know what movies you’re missing out on in the next thirty years, my friend. You should count yourself lucky to be able to see these legendary flicks in the theatre. Like The Terminator, or Back To The Future, or The Matrix or even the other Indiana Jones movies.” I said this in an offhand sort of way because I knew he wouldn’t bite. He just grunted in agreement.

“What’s it like to live in the future?” he asked me. And I told him. Of iPods, 3D, YouTube, satellite TV, cellphones and the Internet. Of the outcome of the Cold War, the rise of China, the Arab uprising, Indira Gandhi’s impending assassination and the silence of Manmohan Singh. Of how he should bet on India winning the 1983 World Cup and of the Twenty20 craze that had caught the country by storm. I told him how today’s people were glued to digital screens, where books lived in microchips and libraries were made extinct by Google. I told him these things and many more, each new thing springing into my mind after I had explained the last one, like a bottle of juice you think is empty but the drops keep coming. The boy listened with great interest, but I know that he didn’t believe half the things I was talking about. I didn’t care, this was an opportunity that I would never get again.

After I was done, the boy got up and went back to his room. I followed him in, the time had come. We both stared into the water. It didn’t look like it had been charged with electrons, there was no mystic glow. Maybe that’s what made it so lethal, the fact that it didn’t look like it could kill someone.

“I can’t do it,” said the boy. “It doesn’t feel like the time anymore.”

So I had done it, I had pulled a lost soul back from the edge of the cliff the hung over the Land of the Dead and into the Land of the Living. “But what about your reasons?” I asked.

“If they’re still valid, they’ll bring me to this moment once again,” he shrugged. He looked at me and grinned. And then I died.

That was weird, wasn’t it? Skipping to the end with no foreshadowing or hints at all. Does it even matter how it happened? Okay, maybe if you’ve read this story all the way here, I might as well spell it out for you. The boy’s sister had entered the house as we were chatting with each other in the bathroom. She saw me holding two knives next to her brother and saw it as her sole duty to protect him from harm. A perfectly placed karate kick that she had recently learned connected with my spine and sent me flying across the bathroom, where I hit the wall in front of me and landed right inside the electric bathtub. In moments like these, characters speed through the important moments of their lives and the people they shared them with, all in slow motion. I didn’t even have the chance to scream. Serves me right for saving that boy’s life.

They said our house was cursed because a boy died in it. After such a traumatic experience, last owners sold their house and moved as far away as they could to Europe and became rich after betting on Apple, Google and a small idea from Lalit Modi called the IPL. All because I, like Billy Pilgrim, became unstuck in time and opened the wrong door. Well, it was the right door, but it was wrong for me to…whatever, let me just rest in peace.

My First Blogging Award: The Liebster

Liebster Award

Today I’m extremely excited to announce that I’ve been nominated for the Liebster Award, my first blogging award since I started Realiction in 2009, by Julian Froment. The Liebster Award is an unofficial award that is passed through the blogging community from bloggers to bloggers. There is no overseeing authority who doles out prize money or certification and it’s basically a way of highlighting the blogs that you like and that you think have some good writing. Thanks Julian!

Here are the rules for the Liebster Award (I think it’s in that order):

  1. List 11 random facts about you.
  2. Answer the questions that were asked of you (by the blogger that nominated you).
  3. Nominate 11 other blogs for the Liebster Blog Award and link to their blogs.
  4. Notify the bloggers of their award.
  5. Ask the award winners 11 questions to answer once they accept the award.

11 Random Facts

  1. I watch movies in the first five rows of any theatre. I hate sitting at the far back because movies don’t envelop you in their magic when you can see the four corners of the movie screen clearly.  
  2. I have a sporadic gum addiction. I can go for periods of time without gum or consume a pack of gum a day.
  3. My desk is always cluttered with stuff – books, magazines, CDs, gum wrappers, stray papers – until my mother cleans my desk and throws all that stuff into places of her choosing. I hate it when that happens.
  4. I can listen to one song continuously for several days and then just stop listening to that song. I don’t know why that happens.
  5. I can only read poetry, and relish it properly, by reading poems aloud, even when I’m alone.
  6. I eat dinners in front of the TV (yes, I know, it’s a bad habit).
  7. I have an agile dog called Aura that can snatch food off the dining table if left unattended. She’s even eaten two whole blocks of cooking butter and she prowls through the trash sometimes.
  8. I can’t sleep for more than five to six hours because I feel that I’ll be wasting time otherwise.
  9. I recently adopted ebooks as my chosen form of reading.
  10. I haven’t learned to shave yet because I see it as a sign of adulthood.
  11. I arrive at least thirty minutes early for any appointments that I have. I’ve tried to reduce that to five to ten minutes, but I’ve been unsuccessful so far.

The Liebster Q & A

1. What is your favorite book?
Right now, Cloud Atlas, written by David Mitchell.

2. Do you play an instrument? If so, which one?
I play the piano on and off.

3. What is your ideal holiday?
My ideal holiday would be by myself, exploring places on my own, just walking through the streets and taking in the culture with my camera.

4. Which author would you most like to meet (they do not need to be currently alive)?
Ray Bradbury. He’s just the most inspiring writer I know.

5. What is your favourite genre to write in?
I haven’t written enough fiction to have a favorite genre honestly. Every time I try writing in a genre, I get frustrated that I recycle all the tropes of that genre and ditch the piece before it’s done.

6. What is your least favourite book?
The Ascent of Money by Niall Ferguson. I’ve tried reading it four times and can’t get past the first chapter. It’s a good book, but we just can’t seem to connect.

7. Do you have siblings, if so which?
I have a younger sister.

8. PC or Mac?
MAC MAC MAC. Every time I come in contact with a PC I’m so irritated by the clutter of the Windows OS and it’s SO SLOW.

9. Do you eat meat?
Yes, I eat all kinds of meat, except for seafood. Seafood’s got too many bones to contend with; one of my grandfather’s friends died because he choked on a fishbone.

10. What is your favourite sport?
I’m not really a sporty person, but I do love table tennis.

11. Do you have a day job?
No day job yet. I’m going to college this Fall.

11 Questions For My Nominees

  1. What’s the worst nightmare you’ve had? 
  2. What time of the day do you prefer to write?
  3. Ebooks or Paperbacks?
  4. Do you follow the news and current affairs closely?
  5. Keyboard or Pen and Paper?
  6. What’s the craziest thing you’ve ever done?
  7. What is one movie you can watch throughout a single day over and over again?
  8. When it’s raining, would you run through it or stand and enjoy it?
  9. Do you cook?
  10. How many drafts are stuck in creative procrastination on your blog?
  11. Has blogging made you a better person somehow?

My Nominees

The Award asks you to nominate 11 blogs, but unfortunately I don’t follow so many that have less than 200 followers (I’m not even sure some of them qualify by that standard because I couldn’t find out how many they had). These blogs though inspire me to continue blogging and I’m glad to pass this award on to them. Congratulations!!!

Flying Horizons

Dryad’s Peak

Rockabye Creature

Random Scribblings

filmschoolthrucommentaries

Enchanted pen

With A Side Of Serendipity…

Get Excited And Make Things

Calliopes Lyre

I hope the nine of you accept this award. Thanks again Julian for this delightful honor! It’s a reinforcement that I’m doing something right with Realiction. Here’s to many more enriching posts for me as a writer and for my readers and followers!